Educator Resource Packet Starry Night and the Astronauts by Alma


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This composition is the final work in Thomas's Space Series which began in 1969, in response to the Apollo missions' space explorations and moon landings and inspired by the 1889 painting The Starry Night by Vincent van Gogh (1853- 1890). The piece was painted with acrylics and measures 60"x53".


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Aug. 4, 2016 Alma Thomas, whose joyful abstract paintings are the subject of an undersized but important and inspiring exhibition at the Studio Museum in Harlem, had one of the great, late-blooming.


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On this episode of the Art Institute Essentials Tour, take a closer look at "Starry Night and the Astronauts," painted by Alma Thomas in 1972.Alma Thomas pio.


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Starry Night and the Astronauts, 1972 Alma Thomas This abstract painting evokes the excitement of the first space missions in the 1960s and 1970s.


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Starry Night and the Astronauts evokes the open expanse and celestial patterns of a night sky, but despite its narrative title, the work could also be read as an aerial view of a watery surface, playing with our sense of immersion within an otherwise flat picture plane.


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"Starry Night and the Astronauts" is back on view at the Art Institute! Alma Thomas, Howard University's first fine arts graduate, spent 35 years as a junior-high arts educator in Washington, D.C.


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Starry Night and the Astronauts, Alma Thomas (1972) "After decades as a representational painter, in her seventies Alma Thomas turned to abstraction, creating shimmering, mosaic-like fields of color with rhythmic dabs of paint that were often inspired by forms from nature. The artist had been fascinated with space exploration since the late.


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starry night and the astronauts Alma Thomas Painting by Alma Woodsey

A rare night landscape. The curving, swirling lines of hills, mountains, and sky, the brilliantly contrasting blues and yellows, the large, flame-like cypress trees, and the thickly layered brushstrokes of Vincent van Gogh's The Starry Night are engrained in the minds of many as an expression of the artist's turbulent state-of-mind.


Starry Night and the Astronauts 1972 by Alma Thomas (at The Art

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Starry Night and the Astronauts The Art Institute of Chicago

Starry Night and the Astronauts\/em> evokes the open expanse and celestial patterns of a night sky, but despite its narrative title, the work could also be read as an aerial view of a watery surface, playing with our sense of immersion within an otherwise flat picture plane. The viewer is immersed not only in the sense of organic expanse that.


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Inspired, she began putting the patterns on canvas (JAMA covers, March 27, 1991, and September 13, 1995). She was 69 years old and had just retired from 35 years of teaching art at the Shaw Junior High School in Washington, DC. Only now could she devote herself full-time to her own painting.


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Starry Night and the Astronauts not only captures her fascination with space flight but also shows the signature style of her abstract works, which use short, rhythmic strokes of paint. "Color is life," she once proclaimed, "and light is the mother of color." Thomas made this work in 1972, when she was 81—the same year she became the.


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1972 by Alma Thomas Poster Packet Department of Museum Education Division of Student and Teacher Programs The Elizabeth Stone Robson Teacher Resource Center Alma Thomas (American, 1891-1978) Starry Night and the Astronauts, 1972 Acrylic on canvas, 60 x 53 in. Gift of Mary P. Hines in memory of her mother, Frances W. Pick


Educator Resource Packet Starry Night and the Astronauts by Alma

Crew Preps for Ax-3 Mission and Keeps Up Research Schedule. The city lights of North America appear under Earth's airglow and a starry night sky in this photograph from the International Space Station. The Expedition 70 crew is turning its attention to the third private astronaut mission from Axiom Space as it counts down to launch next week.


Alma Thomas's Starry Night and the Astronauts Art Institute

Starry Night and the Astronauts. Alma Thomas. After decades as a representational painter, in her seventies Alma Thomas turned to abstraction, creating shimmering, mosaic-like fields of color with rhythmic dabs of paint that were often inspired by forms from nature. The artist had been fascinated with space exploration since the late 1960s, and.